Back to Basics

Back to Basics-
"Move from easy to difficult and from simple to complicated. More time is required to train longer and harder as you progress. Do not hurry or engage in senseless or reckless practice. Develop gradually"


Does anyone still read and follow the Guiding Principles? I know a few groups out there still do.
Years ago,  I tested for my Green belt and  had 3 Brown belt tests in front of Mr. Oyata.
(We had 3 degrees of Brown Belt)
I considered it a great honor to do so. I took it as a challenge, a means to rise.
You had to step up your game to a new level.
He would ask us to recite the Dojo Kun and would ask us
not only to recite the Guiding Principles, but would then make us explain individually,in great detail, what they meant to you . He was more concerned about your intelligence, ethics(or lack of) and understanding of his code than he was about your kata.
Of course he expected your kata to be worthy, it had to be-but in those moments it always seemed to me he was more concerned about what type of person you were, who was he training, he seemed greatly interested in each one of us as individuals and why we wanted to train in his system.

Our martial arts research group, Goshin Jitsu, has moved indoors with the approach of Winter.
With the change in seasons comes a  slight change in our  training regimen. We will be working more on basic and intermediate kata and concepts this Winter. Because we are a research group, we often work on advanced kata, weapons and technique. While we are working on advanced  concepts, we also keep this ideal-The core/root teachings of Ryukyu Kempo lie in basic/intermediate kata and exercises. I will argue this point with anyone until the end of time.
You must have strong basic and intermediate kata  first, before you can  have smooth, powerful advanced kata, technique and understanding of both.

Some karate  practitioners  want to learn and work on advanced kata all the time.
This can be problematic-If your basic and intermediate kata had no power, timing or precision,your advanced kata will reflect this and for practical purposes will be next to useless.
I have personally witnessed some supposedly high level martial artists with very poor  kata- they look like they are just going through the motions-no particular power, no spirit.
According to my teacher, Taika Seiyu Oyata, your technique and mastery of karate will always be a direct reflection of your  kata. If your kata is poor, weak or looks like you are just going through the motions, what does this say about your technique and mastery of karate? Remember, this is coming directly from my teacher, not just me.

Taika Oyata stated to us several times he could look at your kata and know if you could fight, had any technique. After 33 years of training, I am coming to understand what he meant.
One of the best (few) compliments I ever got from Mr. Oyata was after he watched me do a particular kata,he walked by and said-" kata ok,  like you  fighting, this pretty good ".
I strutted around for a few days until he told us in the next class we were all lazy-he gave us too much candy(was too easy on us, taught us too much), we couldn't do kata correctly, didn't listen, our kata was weak ...............some days you are the hammer, other days the nail.

At one point during Headquarters training, Mr. Oyata told our class that eventually we would not need to practice basic kata anymore. He should have explained in greater detail so everyone really understood what he meant. He did not mean at that moment, or 2 weeks later, he was speaking of years into the future! There were people that misinterpreted this and decided he had told them they were so good they never had to practice basic kata again. That is not what he said!
Mr. Oyata would tell us at times we were trying too hard to mimic him, trying to be him.
He felt we were trying to operate at a level that was beyond our physical grasp. He was giving us a lot of ideas, timing and techniques, but we had just learned them-we had not practiced them enough and really didn't completely understand what he had shown us. He wanted us to understand and accept we had to develop gradually- you don't just see something one time and instinctively/intuitively understand it!

As Mr. Oyata's personal students, we were expected to know basic, intermediate and advanced kata
and be able to do them as close to perfection as possible,  at a moment's notice. To be quite honest, there were only a handful of people I felt had exceptional kata and technique. This is not meant to take anything away from anybody, but you could always tell who trained all the time and pushed themselves, who took this seriously and who thought it was a social club/fraternity. I ask the people I am training with if they want to be good, or do they want to be great? You can be good with 75% effort, to be great requires a lifetime of study at 100% effort.

We now  have a world full of internet tough guys, instant experts, would be masters and seemingly very few of us actual students left.There are also a lot of people who went to 3 seminars with Oyata or trained for a few years that have managed to retain their extraordinary abilities even though they haven't actually trained hard for years-That's amazing! I wish I could remain forever awesome but not have to train anymore - What a concept -I'm just great because I used to train!!! I have no use  for people that sit around doing nothing, just talking about martial arts or even worse- talking smack about other martial artists but don't take the time to actually work on martial arts. You were a martial artist, it's impossible for me to take anyone seriously claiming to be a martial artist that does not practice!


I have trained alongside great martial artists and trained for many years with a real master.
I have only met and known one true master in my lifetime-have not seen another human being like him anywhere and don't believe I ever will. There is nobody  I have met that can fill his shoes, nobody with his skill and depth of knowledge. I consider myself to be truly fortunate, I am trying to pass on what I learned to a small, dedicated group of personal students/peers. At this time I am fairly satisfied with my efforts, but there is always much more work to be done.

For the record, I still work on basic, intermediate and advanced kata, ready to do them at a moment's notice, just as my teacher expected. I am content to continue developing gradually, always a student.

 I am devoting my spare time and energy to creating a video and informational archive for our martial arts research group.I will be posting videos of Ryukyu Kempo Karate and Kobudo exclusively on the Goshin Jitsu Research Group Facebook page. I will also be posting some of my personal notes regarding tuite, kyusho, kata breakdown, foot work, diagrams, exercises, body mechanics- notes and drawings I made during my 17 years of training with Taika Oyata. This will not be available to the public, they can only be viewed on the Goshin Jitsu page. Only people currently training with the Goshin Jitsu Research Group or past members in good standing are permitted access to our Facebook site.

The Importance of Understanding Kata

*This blog post is dedicated to Mikasan-  a martial artist of integrity, a man  I have never met, yet consider a  good friend!

**"I cannot teach anybody anything, I can only make them think"-Socrates

The importance of understanding kata-Naihanchi:

The ancients left a blueprint, a roadmap for us to follow if we are wise and willing to put the time in to truly understand what we are practicing.This is a lifelong process of  anguish, tediousness, frustration, discovery and finally understanding.

One of the most important things we all learned from our teacher Mr. Oyata was how to interpret/read
kata.I would have figured out very little if any of this on my own. He felt it was vitally important to do the basic kata until it was ingrained, part of you.
This was your foundation-once this was achieved you could build upon it, move on to the next. evolution/timing. He taught basic kata for many years-in fact, there were many individuals that were only exposed to basic kata, fundamentals and very basic techniques. Many left before he changed timings and began to teach intermediate and advanced kata and techniques. In their own minds, these individuals became convinced they had learned his"Art", everything he had to teach-in reality they had just scratched the  very surface of our teachers martial arts knowledge.

When I started training with Mr. Oyata and the Kansas City black belts in 1990, we were
doing basic Naihanchi Shodan and intermediate Naihanchi Shodan. I had been doing basic since 1986
and he had just introduced intermediate timing to everybody the year before.I had to do basic and intermediate timing as part of my black belt test in 1990.
People were struggling to put moves together to his exacting standards.
We worked exclusively on this kata and timing every night, for weeks/months on end.We were also doing this timing as a group for demonstrations at tournaments. Our teacher felt if you could not do the kata well with this timing, you could not duplicate his techniques/applications-i.e. you were wasting your/his time.

My teacher's kata, weapons and fighting system are highly sophisticated-it was never easy to learn!
Even something that would seem as basic as footwork is highly advanced in comparison to other styles. Footwork is the cornerstone of my teacher' martial art, the hand technique is useless without it.
Neglect it and you have nothing of  real value.

It was around this time I heard my teacher say some interesting things about  Naihanchi Shodan kata motion:

"foot cross in naihanchi have different meaning-sometime I sweep, sometime I hook foot or leg, sometime I move back or forward-but sometime crossing foot just mean foot is moving-that's all-I step, maybe step forward, or step back or out to side.

"hand motion start, hand follow hand, foot follow hand. No can start foot first-this no make sense for defense".

"Aim from middle of body-arms go out from middle, come back to middle, "

The first time I ever saw Mr. Oyata do technique for a grab from behind, it was when we were working on Naihanchi Nidan, basic and intermediate timing. He began to show some different techniques and explained that although the kata were practiced on a straight line, I could still be doing the techniques after twisting/turning and starting a new line facing my opponent who had grabbed me from behind. A giant lightbulb went off in my head upon hearing this-It had never occurred to me that the line could change-I could be fighting any direction, doing these techniques when turning-creating a new line every time I turned,as defending myself dictated.
His previous statement about the crossing foot in Naihanchi made perfect sense-I could be stepping back behind my other foot to turn quickly to counter my opponent grabbing from behind.

Wrap your head around the idea that the kata /technique are abstract-I have to think outside of the box-more of a "what could it be"? than "this is what it looks like" Consider the possibilities when practicing individual kata. What are the unique moves? what are the repetitive moves? Why would I move this direction while doing this?

The lines we practice on, the directions seem to be  a suggestion, a book of good advice.
Remember, those lines  we are fighting on are always changing as the attack or response dictates.
Basic can be a straight line,  advanced may be multi-directional/ eight directions.

The ancients cleverly hid their ideas in the kata, like a riddle. It takes many years of constant practice to truly understand this body motion., the meaning of these movements.
 Naihanchi Nidan is rather complicated-it is a kata of  strange, short movements, precarious balance and backwards technique/fighting. I have seen some horrible versions over the years-my previous kata included. I have worked on this one for years-it's coming along nicely!
Very few people can do this kata well, with power, precision and timing and an understanding of what it means-those that can tend to have exceptional technique.

The most important thing I could share with everybody is the importance Mr. Oyata placed on breaking down kata and working on small pieces/segments. It was maddening-frustrating to only work on 2-3 or 3-4 moves over and over again, but is is exactly how and why our kata got better over time. I still do it when a  particular segment feels weak or funny to me.

I was extremely fortunate to have the experiences I had and the training that I received from a true Master. I am going to continue these posts based on the responses I have received. There is quite a bit of this I am covering in the book I am working on. The book is progressing slowly, the way it needs to. I intend for it to be very good, we shall see.

Trees of Loose Park 2018 by Brad Hatfield

VanBooven Tree Care, the company I help manage, has received it's third contract for
pruning at the Loose Park Arboretum. We all feel fortunate to have the opportunity to
take care of these trees, it's quite an honor for our company to be chosen again.
 This is a team effort, from writing the proposals to having
the people and equipment to get the job done well. VanBooven foreman Chris Brewer and
his lead Arborist Luke Becker have been out there every day, providing the pruning expertise we need.
These two are the reason I have every confidence when out bidding tree work or writing proposals to care for rare and valuable trees, knowing they have the combination of intelligence, skill and experience in everything they do. We also needed machines and muscle to manage the tons of deadwood taken out of these trees- D'Angelo Hicks was the man with the machine and the muscle to get it done.
 I have been on this job nearly every day as a project manager, but more importantly to me, I have also been able to prune quite a few trees while there.

I wanted to share some of the pictures I have taken while out working on this project:


Pictured below is a huge, roughly 150 year old Walnut, located on the west side of the park.

Pictured below is a shot taken inside one of the Pine and Spruce groves.

Pictured below: Vanbooven Arborist Luke Becker pruning a giant Cucumber Magnolia. This is the largest, oldest Cucumber Magnolia tree I have ever seen.
Also want to mention that Luke Becker has done a fantastic job pruning these trees. Luke is not only a Kansas Certified and ISA Certified Arborist, he also has a degree in Horticulture from Kansas State University. It has been a genuine pleasure working with him and watching him mature into the consummate professional and expert pruner he has become.

Pictured below is a gnarly old Elm, covered in burls.  I love the shape and texture of the burls-  fantastic. This is a really cool looking old tree, picture taken prior to pruning.

Pictured below: The largest Pine and Spruce grove  located on the West side of Loose Park

Pictured below is another huge, very old Walnut tree being pruned. This tree is so massive it makes our bucket truck look like a  car! I could not fit the entire canopy in the picture.

Pictured below: Inside one of the Eastern Redcedar groves. Redcedar are a fantastic evergreen for Northeast Kansas, these are tough trees-resistant to disease, drought- I call them Kansas Redwoods.

Pictured below:Just in case there are Redcedar fans out there, I am adding an additional photo of
some large old trees.

Pictured below: VanBooven Arborist John Cox pruning large, old Norway Spruce tree

Pictured below: Massive old Siberian Elm. We spent the best part of a day pruning this tree.
there was huge deadwood, large broken, hanging limbs. This is the finished product.

Pictured below: I saved one of the best for last, a specimen Paperbark Maple tree. This is a large, old
tree for a Paperbark Maple, they grow very slow. Love the muscular branches, shiny, exfoliating bark.
This is another one of my favorites. There are actually two of equal size right next to each other. I practically ran over to where they are to make sure I was the one pruning them.Honestly, I would have pruned these incredibly cool trees for free.

Here is a shot of the same tree at a little more distance.

I took quite a few pictures, these are some of the best ones that I wanted to share.
We only have a few days of work left in the pruning contract.
One of the stipulations of our contract is that the trees be left in as natural a condition as possible-Brilliant!! I could not agree more. We have tried to do that with every single tree we pruned.
Loose Park is a fantastic place to work, I will have to visit when I have more time on my hands to take in the sights.If you get a chance, stop in and  take a walk through the park and enjoy the sights yourself, especially the trees.

Steve Stark and Taika Oyata Video-From The Learning Channel Documentary

Short video clip of one of my instructors, Hanshi Steve Stark and our teacher Taika Seiyu Oyata.
Also included are Tasshi Jim Logue and Kyoshi Gerry Senese, two well known and respected senior students of Taika Oyata. This was filmed in Gerry's dojo.
This clip is taken from a documentary about martial arts on The Learning Channel.
This particular video keeps making it's rounds over the Internet and throughout Facebook.

I am reposting it because it shows two of my favorite people- our teacher Mr. Oyata and in my opinion the most talented martial artist to come out of his system, Steve Stark.
Watching this video always brings back a lot of memories of my teacher-some involve pain!
Mr. Oyata was an amazing martial artist and taught a lot of things to
many different people. His martial arts belong to all the people who trained with him for many years, not just any one person or group. Steve Stark is an extremely talented martial artist and is still teaching, still training.Our research group, Goshin Jitsu, has been fortunate to have him teaching us, training with us the last two years.

I named my research group Goshin Jitsu in honor of my teacher Mr. Oyata.
His interpretation of Goshin Jitsu was martial arts technique/understanding performed at the very highest level. This is the ideal, the brass ring we should all be reaching for in our martial arts and applications.
.

Thank You Science! Using Nanotechnology to test for Oak Wilt

Exciting news from the Tree World I inhabit. New technology developed by the University of Minnesota College of Food, Agricultural and Natural Resource Sciences (CFANS) offers a simple
and affordable diagnostic test  for Oak Wilt utilizing nanotechnology and gold.

Pictured below is a microfluidic device used to isolate the Oak Wilt fungus from wood chip samples.
Picture credit-University of Minnesota

Oak Wilt is a devastating vascular fungus that quickly kills Oak trees. Arborists in the Kansas
City Metro area deal with Oak Wilt every year. The disease is not particularly widespread in our area,
but it can move quickly through root grafting in wooded areas with multiple Oak trees.
This can be a painful and expensive experience for homeowners with wooded lots.

Past testing for Oak Wilt has been a slow process, sometimes waiting for weeks to receive a positive diagnosis-it is often difficult to get a positive diagnosis from wood samples, creating a slow and frustrating process for everyone involved.

This latest scientific breakthrough enables Oak wilt detection within 30 minutes of sampling at a fraction of the cost (less than $5). This new technology uses gold nanoparticles to generate a chemiluminescent signal in the presence of Oak Wilt-this chemical signal must be read by a specialized hand held reader.

The team working on this project are refining a portable system for use in the field,
eliminating the need to send samples to the lab for confirmation. The field project requires only dipping wood chips from infected trees into a solution to extract DNA, then mixing with a second solution of gold nanoparticles to allow detection using a hand held luminometer.

The innovation by Abbas' research lab enables oak wilt detection within 30 minutes of sampling and at a fraction of the cost: less than five dollars per sample. The technology uses the agglomeration of gold nanoparticles to generate a chemiluminescent signal that can be read by a hand-held reader, in the presence of the oak wilt fungus DNA. The team is now refining a portable system that allows early detection of the disease in the field without sending samples to the laboratory. The new technology requires only dipping wood chips obtained from infected trees into a first solution to extract the DNA, then mixed with a second solution of gold nanoparticles to allow detection using a hand-held luminometer.

Read more at: https://phys.org/news/2017-11-technology-oak-wilt-faster.html#jCp

The innovation by Abbas' research lab enables oak wilt detection within 30 minutes of sampling and at a fraction of the cost: less than five dollars per sample. The technology uses the agglomeration of gold nanoparticles to generate a chemiluminescent signal that can be read by a hand-held reader, in the presence of the oak wilt fungus DNA. The team is now refining a portable system that allows early detection of the disease in the field without sending samples to the laboratory. The new technology requires only dipping wood chips obtained from infected trees into a first solution to extract the DNA, then mixed with a second solution of gold nanoparticles to allow detection using a hand-held luminometer.

Read more at: https://phys.org/news/2017-11-technology-oak-wilt-faster.html#jCp

Thank you science! This is going to speed up the process of  testing for Oak Wilt, help Arborists
and homeowners and should ultimately save thousands of Oak trees that would be lost to the rapid spread of Oak Wilt.

I'd Rather Be Training

I have had people asking me about why no martial arts posts for such a long time.
Frankly, I just get tired of posting. In the time it takes to write up a lengthy blog post,
I could have been training. Life is all about choices and priorities.
These days I would rather be doing something physical than talking/writing about it.
Still running, lifting weights and training to my hearts content-living the dream.

I will spend a few minutes on this short post-
The martial arts training over the last several months has been fantastic!
We have a great thing going on with our research group. We keep adding new people, last week there were 10 of us working out as a group. Good Training and sharing ideas in a research group creates
an extremely positive energy that is contagious.
 It's like the good old days, especially when Hanshi Steve Stark is teaching our Tuesday night class. I keep telling the younger members of our group that this is as close as they will ever get to training with Taika Oyata. It's beginning to sink in as they try and imitate what Mr. Stark has been teaching or answer his questions about particular kata motions and what they mean. It makes me laugh, that deer in the headlights look,exactly like I used to have when trying to duplicate what Mr. Oyata was teaching or answer his questions.

Our group has been working on many different things-most importantly we now have a
finished, completely fixed up version of Shi Ho Happo No Te, as taught directly to Mr. Stark by Taika Oyata.This is by far the most detailed, powerful version I have ever seen.
I have been working on this quite a bit, polishing it. It has become my newest martial arts obsession.

We also have been working on different drills, footwork and hand technique, as bridges between other drills and exercises.. Some of these are exercises we have created that tie into previously
 existing exercises, some stand alone and cover very specific concepts. It's all very interesting and fills some gaps between exercises/concepts as a teaching methodology.
For instance, imagine a drill  somewhere between Exercise 2 and the original Spiderweb, that ties it all together-this is just an idea of what it could be.  I am not going to explain any of them  or post pictures or videos.Why would I? You do the work, put the time in and figure it out for yourself.
It's fairly easy to figure these things out, it just takes 32 years of  constant martial arts training to see it all, put it all together.

 The question I ask myself and the people I am training with -"Are your martial arts evolving"?
Are they? They better be-If not, you are either not training enough  or not training with the right people-you  may not  be putting enough thought into what you are doing, what it means, applications.
There are many layers to every kata, drill/exercise and technical application. This Art has many subtleties, nuances that are easily overlooked without a deep understanding of body mechanics, hand and foot motion. It takes constant practice and years of dedicated training to truly understand these things, where they become second nature-you do them without conscious thought, they are part of you.

If you do the same thing over and over, without questioning why or looking for ways to do it better, you are standing still.If you are not training at least 2-3 days a week, you are standing still.
Stand still long enough and everyone else will catch up to you or pass you by.
It's painfully obvious in training sessions who has been working on their martial arts and who hasn't.

P.S.
Don't make excuses- I have heard them all and still keep hearing them.
I could write "The Karate Training Excuse Book" , multiple pages of all the reasons people constantly miss training sessions, no longer take the time to train,  why they quit, who hurt their feelings-why they are butthurt and sad, how they are planning to train again, eventually...............(yawn)
" If it is important to you, you will make the time "( quote by Mike Anderson)

Don't tell me how good you were 5, 10, 20 years ago, I don't care about that either.
Show me how good you are right now or please don't talk to me about martial arts.

Here is a picture of myself and Taika Oyata when I received my 7th Degree Scroll in Oyata Shin Shu Ho Ryu. That is all the inspiration I will ever need to continue my training.

I think about my teacher and his martial arts every day. I work on my martial arts every day, that is how and why they are evolving.